STUDIO POINK / THE STUDIO
Questions before we make something move
Answers to practical questions about working with Studio Poink: briefs, animation budgets, schedules, revisions, delivery, licensing and collaboration.
Every film starts with a different idea and a different set of constraints. These answers explain what to bring to the conversation and which details need to be settled in a project proposal.
Explore our animation services and production process, then send us your project when you are ready.
Planning your project
What kinds of projects does Studio Poink create?
The portfolio includes animated explainers, motion graphics, character-led films and commercials, alongside music videos and other illustrated storytelling. Published clients include technology, software, gaming and media brands.
How much does an animation cost?
There is no single price that fits every film. Running time, design complexity, technique, writing, audio, versions and review requirements affect the work involved. Send your brief and budget context for a project-specific discussion.
How long does a project take?
A schedule depends on scope, technique, available materials, versions and client review time. Share your intended launch date at the start. The studio will assess it alongside the brief before a schedule is agreed.
Can you take on rush work?
Tell the studio the fixed deadline and what needs to be ready by then. Availability and a feasible production scope need to be assessed before a rush delivery can be confirmed.
How many revisions are included?
Review stages, included revision rounds and the treatment of scope changes are defined in the project agreement. Consolidated feedback from one client contact helps make each review useful.
Do we need a finished script?
You can start with a product description, audience, key message and references. If you already have a script, share it and explain what has been approved. Confirm writing and approval responsibilities in the proposal.
Can the project include voiceover, music and sound design?
Published project credits include narration, music and sound collaborators. Discuss the audio required for your film, who supplies it and the relevant usage rights when agreeing the scope.
Can you produce other languages or subtitles?
Specify the languages, translation responsibilities, voice requirements and caption formats in the brief. Availability and production requirements must be confirmed for the particular project.
Which file formats and aspect ratios will we receive?
The delivery list is agreed around your intended screens and platforms. Include the master film, aspect ratios, resolution, captions, cutdowns and any special playback requirements before production begins.
Do we receive editable source files?
Source files, reusable assets and rights to adapt them are separate points to confirm in the agreement. Explain your future editing plans so the studio can discuss an appropriate handover.
How are usage rights and music licenses agreed?
Tell the studio where, how and for how long the film will be used. The agreement should describe rights for the film and any third-party music, voiceover, fonts or other licensed material.
Can you work on confidential products?
Raise confidentiality and any NDA requirements before sending sensitive material. Agree what can be shared, who can access it and whether the finished work may appear in a portfolio.
Can we collaborate from outside Israel?
Studio Poink is based in Tel Aviv. For an international project, discuss your working hours, preferred communication channels, review process and language requirements so the collaboration can be planned around both teams.
How do we get started?
Send a company or product link, audience, main message, intended channels, deadline and budget context through the contact page or to info@studiopoink.com. References and brand materials are helpful when available.
LET’S MAKE IT MOVE
A complex idea. A clear story.
Tell us what you’re making, who it’s for and where the animation will live.